WRECKAGE IN A BOTTLE (2019)

Tom Herck's "Wreckage in a Bottle" (2019) plays with the classic idea of a 'message in a bottle,' using this nostalgic concept to explore deeper themes. Traditionally, messages in bottles have been used for everything from sailors trying to reconnect with land to people in distress seeking help. They've told stories of love, survival, and even scientific discoveries about ocean currents and plastic pollution.

At first glance, Herck’s piece seems like it might follow this familiar story. However, instead of a written message, the bottle contains a large, intricately folded paper ship. This ship, crafted in the style of historic war and exploration vessels, references legendary ships like the Passat and Santa Maria. It also nods to the historical practice of sending messages during wartime, linking back to port cities like Ostend.

The centerpiece is an origami warship, blending childlike innocence with the harsh reality of a battle vessel. Origami’s delicate nature contrasts with the aggression of a warship, emphasizing the fleeting beauty of life. The artwork invites a sensory experience with its detailed folds and light play, highlighting the fragility of existence.

The use of paper, one of humanity’s earliest inventions, adds a layer of meaning. It represents simplicity and elegance, capturing the transient nature of life. Adding to this, Herck includes a folded 5 Euro banknote shaped like a warship. This choice critiques how easily destructive weapons can be bought for a small price, contrasting with the rising cost of essential goods like food. Thats why the bottle is in the shape of a milk bottle. It questions our societal priorities and the disturbing reality of affordable violence.

"Wreckage in a Bottle" reflects on the duality of human nature. It highlights our ability to create and connect, but also our capacity for destruction.

© Text by Lara van Oudenaarde
© Pictures by Arne Deboosere
Partners: Stad Oostende - The Crystal Ship - VB Beton